
All text and images copyright j.i. kleinberg unless otherwise credited.
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sitings
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- Journal of Compressed Creative Arts ~ 1
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- Journal of Compressed Creative Arts ~ 6
- Kate's Creative Life
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- on compression
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the facts
chocolateisaverb is the personal blog of
j.i. kleinberg, freelance writer, sometime poet,
occasional artist. Please subscribe!
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…before
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
How eager the Ulmus, spring limbs laden with pendant promise, profligate in its disc-winged seeds.


Here in the upper lefthand corner of the U.S., in the early-March garden, spring is mostly a matter of hints and suggestions. The bare wood of the plum twigs and hydrangea stalks now show fattening nubs and leaflets. An inch of red-brown peony pokes up through the soil. The precocious azaleas and rhododendrons seem to gather themselves from their winter bedraggled-ness and ready a crown of tight, yet-colorless buds. Upon the accidental touch, the juniper’s nearly-invisible cones billow forth a cloud of pollen. The cotoneaster, still bearing some of its red berries, pushes out its first tiny, leathery leaves. Hellebores unfurl their shy, downward-facing blooms. But oh, the heather. Nothing shy. Nothing subtle. The garden’s Pied Piper. Just that pure, announcing color that says hang on, don’t despair, spring is almost here and the long, languorous days of summer can’t be far behind.

The snake was always in the same spot, in the back yard, in a little cleft of soil near the lawn between two mounds of grassy Armeria (thrift). We would surprise each other there — he sunning on the warm grass, I crawling along on my kneepads pulling weeds. We met there perhaps three times, he slipping away before I had a chance to study him carefully, a whisper of glossy striped darkness disappearing under the heather.
The morning still and bright, every inch of garden clotted with green.
It is so spring.
Yesterday afternoon, in between storms, scraps of blue showing through slashes in the clouds, I decided to run some errands. In my car, I got no farther than the driveway before my attention was drawn to a trio of crows overhead. They were playing — chasing, diving, tumbling and turning — without sound or direction.
You must get tired of hearing about the plums, she said. There was no reply. I could, instead, tell you about how green knots split into tight fists of velvet-wallpaper red on the first rhododendron. Or describe the sturdy rust-washed stalks of the peonies, now half a foot tall. Over here, the daffodils, bent and discouraged by the wind, have nonetheless begun to lift their cheery faces. And the daphne, a sensitive and fussy plant, I was told, is thriving, glossy and covered with modest pale green flowers that should smell like the front door of heaven, but have absolutely no scent at all.
Raise the blinds and
through howling dark
This morning, my mind is a gray blank, reflecting the sky. But outside, the birds dash and dart, swoop in and out of the crabapple tree in chittering pairs — chickadees, juncos, bushtits. Fat robins forage in the sodden beds. A woodpecker, perhaps a block away, offers urgent bursts of percussion. A deep hoof print, a torn tulip leaf, a bulb yanked from the ground, attest to the night’s visitors.
In my memory, the plum tree buds one day and blasts into bloom another. But no. These trees are wise to the moods of late winter, the frolics of wily spring.
You look gorgeous on fox, rabbit, poodle, dove. You’re handsome in granite and pearls and hair. Your silvers and charcoals and smokes and taupes enliven artwork, stones, mountainsides, elephants, whales. Your ashen coat fits the mouse, the old mare.